Le vagabondage moderne dans le théâtre de Henri-René Lenormand
Tomasz Kaczmarek
Université de Łódź , PologneRésumé
The motif of the wanderer is not new in the French theatre, but in the first half of the twentieth century due to the general crisis of values, some authors refer to it in order to display the plight of modern man. One of them is H.-R. Lenormand, an author not very well-known to a wider audience nowadays, who under the influence of Strindberg writes plays which refer to the expressionist aesthetics. He creates a lot of works in which he employs the technique of the station drama.. It is this form that allows him to focus on the evolution of the character and his metamorphosis. While in Les Ratés he shows buffoons heading for the brink of despair and finally their certain death, in L'Homme et ses Fantômes he focuses on the inner journey of the main character, who is looking for the reason for his suffering in his own soul.
Mots-clés :
expressionism, Henri-René Lenormand, modern wandering, August Strindberg, crisis of values, station dramaRéférences
Daniel-Rops. 1926. Sur le théâtre de Henri-René Lenormand. Paris. Éditions des Cahiers Libres.
Gravier M. 1949. Strindberg et le théâtre moderne. Paris. Bibliothèque de la Société des Études Germaniques. IAC.
Gravier M. 1958. Le héros du drame expressionniste. In Le Théâtre moderne. Hommes et tendances. Éditions du CNRS.
Lenormand H.-R. 1921. Les Ratés. Paris. Albin Michel.
Lenormand H.-R. 1924. Le secret de Don Juan. Paris-Soir.
Lenormand H.-R. 1925. L’Homme et ses fantômes. Paris. G. Crès et Cie.
Lenormand H.-R. 1949. Les Confessions d’un auteur dramatique 1. Paris. Albin Michel.
Maeterlinck, M. 1926. La vie des termites. Paris. Charpentier/Fasquelle.
Palmer J. L. 1927. Studies in the Contemporary Theatre. London. Martin Secher.
Rank O. 1932. Don Juan et Le Double. trad. S. Lautman. Denoël.
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