No. 6 (2016): Hybrides(s)

Avant-propos

7

published: 2016-12-30

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The gallant letter, or the fruitful abundance of transgression

Astrid Van Assche

9-17

published: 2016-12-30

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The loves of Psyche and Cupid by Jean de La Fontaine as an example of prosimetrum

Alicja Rychlewska-Delimat

18-26

published: 2016-12-30

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Emile Zola’s chronicles as textual hybrids

Anna Kaczmarek-Wiśniewska

27-34

published: 2016-12-30

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Mallarmé and poetics of hybridity

Olivier Sécardin

35-45

published: 2016-12-03

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The « parlé-chanté » in Phèdre to Jean Racine and Noon’s Sharing to Paul Claudel

Marine Deregnoncourt

46-55

published: 2016-12-30

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Hybridity in Red Steppe by J. Kessel: Limit or Complementarity?

Rached Chaabene

56-64

published: 2016-12-30

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Cris des cœurs by Jean-Victor Pellerin, as an exemple of hybrid play

Tomasz Kaczmarek

65-73

published: 2016-12-30

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Surrealist anthologies: the collective elaboration of an hybrid literary genre

Roberto Mannu

74-80

published: 2016-12-30

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Hybridities of the writing and subversions of the subject: stakes of the simulacrum around Pierre Klossowski

Thibaut Vaillancourt

81-90

published: 2016-12-30

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Le Navire Night : a mixture of genres and arts

Anna Ledwina

91-99

published: 2016-12-30

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A dialogue with painting in Femmes d’Alger dans leur appartement by Assia Djebar

Maria Gubińska

100-107

published: 2016-12-30

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Writing subversed by serigraphy in graphic poems of Roland Giguère

Emmanuelle Pelard

108-117

published: 2016-12-02

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Rewriting of Don Juan in the XXth century: between hybridity and intermediality, the new modes of exploitation of a myth

Aurélia Gournay

118-127

published: 2016-12-30

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Hybrid identity of an exile on the example of The Forgotten by Élie Wiesel

Paweł Kamiński

128-137

published: 2016-12-30

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Hybridity and otherness in Magnus from Sylvie Germain

Annick Jauer

138-146

published: 2016-12-02

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Artistic hybridity and identity hybridity in Tels des astres éteints (2008) writing by Leonora Miano

Paul Kana Nguetse

147-156

published: 2016-12-30

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The Crime and the Punishment of a Failed Raskolnikov in Afghanistan

Gabriella Körömi

157-167

published: 2016-12-30

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Hybridity and authorial voice

Martine Motard-Noar

168-176

published: 2016-12-30

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When literature meets cinema: Paradis conjugal by Alice Ferney and Le garçon incassable by Florence Seyvos

Margareth Amatulli

177-186

published: 2016-12-30

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Contemporary shamans: figures of instability

Anne-Sophie Donnarieix

187-196

published: 2016-12-30

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