Mariology of Petrarch in the Song "Vergine bella, che di sol vestita"

Das Gedicht Vergine bella, che di sol vestita von Francesco Petrarca

Piotr Tadeusz Waszkiewicz

SGMK Nicolaus Copernicus Superior School , Poland
https://orcid.org/0009-0005-7281-1392


Abstract

Petrarch is often contrasted with the “Divine Poet”, Dante. His poetry focuses on the figure of Laura and his love for her, thus departing from medieval theocentrism. However, living on the boundary between two eras, Petrarch set certain trends in poetry and theology. His collection of poetry is crowned with a Mariological treasure of medieval poetry. This article seeks to delve into the theological aspect of Petrarch’s poetry in the song Vergine bella, che di sol vestita in an attempt to discover what kind of theologian and Mariologist he was. Of crucial importance is whether this song is a departure from his earlier anthropocentric perspective and, consequently, whether it represents a polemic or a point of encounter with Dante. To answer these questions, the article describes the probable context in which the Vergine bella was written and, above all, analyses selected invocations of the song, making it possible to discover references to earlier authors (from the patristic era to Francis of Assisi and Dante) and the original contribution of Petrarca himself, who, fundamentally faithful to his anthropocentric approach, sees Mary as a “human virgin” exceptionally compassionate towards human misery. It is the title Vergine humana that seems to constitute the most original note of Petrarca’s Mariology and an exciting point of his encounter with Dante.

Keywords:

Petrarca Francesco, medieval Marian poetry, Italian poetry of the 14th century, Renaissance exegesis, Mariology, anthropocentrism



Primary literature

Petrarca, Francesco. 1883. “Vergine bella.” In Il Canzoniere di Francesco Petrarca, riveduto nel testo e commentato da G. A. Scartazzini, 298–303. Leipzig: Brockhaus.

Secondary literature

Arturo da Carmignano. 1960–1963. San Lorenzo da Brindisi: Dottore della Chiesa universale. 5 vols. Miscellanea Laurentiana 4. Venezia-Mestre: Curia Provinciale dei Frati Minori Cappuccini.

Bernard z Clairvaux. 2000. Kazania o Najświętszej Maryi Pannie. Translated by Ildefons Bobicz. Biblioteczka Mistrzów Kaznodziejstwa. Warszawa: Oficyna Wydawnicza Viator.

Carducci, Giosuè. 1874. Presso la tomba di Francesco Petrarca in Arquà il XVIII luglio MDCCCLXXIV discorso. Livorno: tipografia di Franc. Vigo.

Cecchi, Paolo. 2005. “La fortuna musicale della ’Canzone alla Vergine’ petrarchesca e il primo madrigale spirituale.” In Petrarca in musica: Atti del Convegno Internazionale di Studi (VII Centenario della nascita di Francesco Petrarca, Arezzo, 18–20 marzo 2004), edited by Andrea Chegai and Cecilia Luzzi, 247–92. Lucca: LIM.

Ciccarelli, Marziano. 1959. I capisaldi della spiritualità francescana. Benevento: [s.n.]; Monza: Tipografia Monzese.

Colli, Ilario. n.d. “Dante and Petrarch: Last of the Old, First of the New,” accessed February 26, 2024. https://ilariocolli.com/articles/dante-and-petrarch-the-last-of-the-old-the-first-of-the-new. Comunità di Bose, ed. 2000. Maria: Testi teologici e spirituali dal I al XX secolo. Milano: Mondadori.

De Giovanni, Neria, ed. 2002. “Letteratura Mariana italiana.” In Poesia e prosa letteraria, vol. 8 of Testi mariani del Secondo Millenio, edited by Ferdinando Castelli, 35–270. Roma: Città Nuova.

Di Ciaccia, Francesco. 2016. “Teologia ed esistenza nella Canzone ‘Vergine bella’ di F. Petrarca.” Literary 12. Accessed February 26, 2024. www.literary.it/dati/d/di_ciaccia_fra/teologia_ed_esistenza_nella_canz.html.

Garrigou-Lagrange, Reginald. 2014. Trzy okresy życia wewnętrznego wstępem do życia w niebie. 4th ed. Translated by Teresa Landy. Niepokalanów: Wydawnictwo Ojców Franciszkanów.

Grzybowski, Jacek. 2015. Cosmological and Philosophical World of Dante Alighieri: The Divine Comedy as a Medieval Vision of the Universe. European Studies in Theology, Philosophy and History of Religions 9. Frankfurt am Main: Lang.

Hauke, Manfred. 2008. Introduzione alla mariologia. Lugano: Eupress.

Larrañaga, Ignacio. 1996. Milczenie Maryi. Translated by Marta Szafrańska-Brandt. Biblioteka Maryjna. Służebnica Pańska 1. Warszawa: Wydawnictwo Księży Marianów.

Laurentius a Brundusio. 1928. Mariale. Opera Omnia 1. Patavii: Ex Officina Typographica Seminarii.

Manelli, Stefano Maria. 2014. La mariologia nella storia della salvezza: sintesi storico-teologica. Frigento: Casa Mariana.

Maritain, Jacques. 1948. Distinguer pour unir ou Les degrés du savoir: nouvelle edition, revue et augmentée. Paris: Desclée De Brouwer et Cie.

Petrarka. 1881. “Canzona XXIX.” Trans. Felicjan Faleński. In Felicyana przekład pieśni Petrarki objaśnieniami i przypisami opatrzony, 294–98. Warszawa: drukarnia Józefa Sikorskiego.

Pompei, Alfonso. 2004. “Mariologia.” In Manual de Teología franciscana, edited by José Antonio Merino and Francisco Martínez Fresneda. Madrid: 251–322.

Prejs, Roland, and Zdzisław Kijas, eds. 2005. Źródła franciszkańskie. Kraków: Bratni Zew.

Roschini, Gabriele Maria. 1951. La mariologia di S. Lorenzo da Brindisi. Miscellanea Laurentiana 2. Padova: Gregoriana.

Sawicki, Stefan, and Piotr Nowaczyński, eds. 1983. Polska liryka religijna. Religijne Tradycje Literatury Polskiej 1. Lublin: TN KUL.

Szymik, Jerzy. 1994. W poszukiwaniu teologicznej głębi literatury: literatura piękna jako locus theologicus. Katowice: Księgarnia św. Jacka.

Szymik, Jerzy. 1992–1993. “Relacja ‘teologia – literatura piękna’ we współczesnej refleksji metodologicznej.” Śląskie Studia Historyczno-Teologiczne 25–26:171–77.

Trapp, J. B. 2001. “Petrarch’s Laura: The Portraiture of an Imaginary Beloved.” Journal of the Warburg and Courtauld Institutes 64 (1): 55–192. https://doi.org/10.2307/751561. (Crossref)

“Vergine Bella che di sol vestita.” n.d. Accessed February 26, 2024. www.latheotokos.it/modules.php?name=Encyclopedia&op=content&tid=6039.

“Wezwanie do N. Maryi Panny: Śpiew Petrarki po śmierci Laury.” 1842. Biblioteka Warszawska: Pismo poświęcone naukom, sztukom i przemysłowi, no. 1, 659–63.

Wilkins, Ernest H. 1948. “The Evolution of the Canzoniere of Petrarch.” PMLA/Publications of the Modern Language Association of America 63 (2): 412–55. https://doi.org/10.2307/459424. (Crossref)


Published
2024-09-30


Waszkiewicz, P. T. (2024). Mariologia Franciszka Petrarki w pieśni "Vergine bella, che di sol vestita". Verbum Vitae, 42(3), 625–641. https://doi.org/10.31743/vv.17318

Piotr Tadeusz Waszkiewicz  pwaszkiewicz@student.sgmk.edu.pl
SGMK Nicolaus Copernicus Superior School

Piotr Tadeusz Waszkiewicz (o. Wawrzyniec Maria) - katolicki kapłan, administrator węgierskojęzycznej parafii na Słowacji. Magister informacji naukowej i bibliotekoznawstwa, doktorant w Kolegium Filozofii i Teologii Szkoły Głównej Mikołaja Kopernika. Autor książek, w tym biografii św. Wawrzyńca z Brindisi (Bosy Generał, Kraków 2023) oraz Marii Gaetany Agnesi (Piękna dusza, Kraków 2017). Interesuje się mariologią, zwłaszcza epoki potrydenckiej.

https://orcid.org/0009-0005-7281-1392



License

Creative Commons License

This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.

The author(s) grant (s) to the Licensee a non-exclusive and royalty-free license in accordance with the provisions of the Appendix: LICENSE TO USE THE WORK