St Albert Chmielowski’s Person and Work as Seen by Painters

Ewa Pyczek




Abstract

Adam Chmielowski’s artistic output has not been made widely known up to now, although the reports of his contemporary artists as well as the ones of later generations prove that in many respects he was a precursor of impressionism and symbolism in the history of Polish art – both in his artistic works and the theoretical ones („About the Essence of Art”). He was an outstanding colourist focused upon the aesthetic and emotional aspects of scenery; his landscapes of pronounced synesthetic values ( rhythm, harmony, feeling; repeated motifs, colour schemes) invite the viewers to contemplation.

Keywords:

saint-painter, colourist, art-theoretician, symbolism, impressionism, synesthesia

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2. Praca zbiorowa, red. E. Gistler "Mikolajus Ciurlionis, Litewski malarz i kompozytor. "Katowice 2006.
3. Pia Górska. "Paleta i pióro", Kraków 1956.
4. W. Kluz OCD, Adam Chmielowski. Brat Albert, Kraków 1976
5. K. Michalski "Brat Albert" Londyn, przedruk: Kraków 1946
6. A. Okońska "Adam Chmielowski" Warszawa 1967
7. St. Rodziński "Obrazy Czasu", Lublin 2001
8. S. Skwarczyńska "Adama Chmielowskiego rozprawa O istocie sztuki"
[W:]Studia i szkice literackie, Warszawa 1953

Published
2020-10-12


Pyczek, E. (2020). Postać i dzieło św. Alberta Chmielowskiego widziane oczyma malarzy. Zeszyty Naukowe Katolickiego Uniwersytetu Lubelskiego Jana Pawła II, 61(2), 181–191. https://doi.org/10.31743/zn.2018.61.2.181-191

Ewa Pyczek  pyczekewa@gmail.com



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